Ed Sheeran Is a Sea Captain, Office Worker and More in New Music Video with Travis Scott

by Lionel Casey

Ed Sheeran’s most recent song video is full of gown changes, film references, and Travis Scott.

On Friday, the 28-yr-vintage singer and Scott dropped their music video for “Antisocial,” one of the tracks on Sheeran’s new album, No.6 Collaborations Project. The album, launched on Friday, features Sheeran’s collaborations with artists like Scott, Justin Bieber, and more significant.

Ed Sheeran

“Check out my video for the next unmarried, ‘Antisocial’ with @travisscott. It will be so fun taking pictures of this,” Sheeran wrote on Instagram on Friday. Can you see the movie references?”

The clip, which indicates Sheeran dressed up as a sea captain and an office employee, amongst other roles, features references to films including Pulp Fiction and Edward Scissorhands.

No.6 Collaborations Project comprises Sheeran’s collaborations with Bruno Mars, Chance the Rapper, Cardi B, Camila Cabello, Khalid, Eminem, 50 Cent, Meek Mill, and Skrillex.

“Thanks to all of the high-quality artists I’ve labored with on this document for sharing your talent with me,” Sheeran wrote on Instagram closing month.

The musician formerly launched the music movies for his damaged hit with Bieber titled “I Don’t Care” and “Beautiful People,” his duet with Khalid.

On Friday, Sheeran also confirmed in a brand new interview with Charlamagne Tha God that he had tied the knot with longtime love Cherry Seaborn at some point.

When asked about his extra personal lyrics on the track “Remember the Name,” which features Eminem and 50 Cent, Sheeran referenced the verse that says, “Watch how the lyrics in the songs might get twisted / My spouse wears purple but looks better without the lipstick.”

“It becomes surely earlier than Cherry and I got married, and I knew we’d be married by the point that the tune came out,” said Sheeran. “[I thought] Someone’s gonna pay attention to that and be like, ‘Oh, they’re married!’ I didn’t recognize how that might be construed, however manifestly, it’s already popped out.”

When I got here throughout this newsletter, I was bowled over by the expenses those works of art have to reap. Several of them might hardly evoke an effective emotional response in me. In contrast, others may be most uncomplicated barely. However, for nearly all of them, I do not understand how their charges are pondered inside the work and vice versa. These pieces were not supposed to be for people like me, an artist, while wealthy consumers honestly see their intrinsic creative value.

So why doesn’t the song attract those forms of charges? Is it even feasible for a chunk of recorded music, no longer tune memorabilia, or a track artifact (which includes an unprecedented report, LP, bootleg, T-shirt, album artwork, etc.) to be well worth $1 million or more? Are all musicians and tune composers doomed to struggle within the track industry and claw their manner up right into a profession in music? If one can be worth $1 million, why can’t a tune or piece of music also be valued? The $.Ninety-nine in step with download rate is the best price a track can command at a market fee, irrespective of its high quality or content, and the musician or composer has to receive this cost.

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